Ray Porter Saves Humanity (Again)
Look, I've listened to over 2,000 audiobooks. I know when a narrator elevates material from "good" to "I'm canceling plans to keep listening." Ray Porter does that here.
The Story (Weir Does Weir Things)
Andy Weir's back with another "science your way out of dying in space" story. Lone astronaut wakes up with amnesia, discovers he's humanity's last hope, befriends an alien who communicates through musical chords. If you loved The Martian but wanted more space jazz and existential friendship, here you go.
The science is dense but digestible. Weir explains orbital mechanics and astrophysics like he's texting a smart friend. Some chapters are basically physics lectures disguised as plot - if that's not your thing, you'll hate this. If you're like me and genuinely enjoy learning about Astrophage reproduction cycles, you'll be taking notes.
Ray Porter's Alien Choir
Porter doesn't just narrate Rocky (the alien companion) - he creates an entire musical language system. By hour 4, your brain starts processing the chord vocalizations as actual communication. It's the kind of performance that reminds you why audiobooks exist as a separate art form.
His pacing during the science-heavy sections is perfection. Fast enough to maintain energy, slow enough to absorb. And when the emotional beats hit (they do hit), he shifts gears without being schmaltzy about it.
Only gripe: Porter's "panicked scientist" voice can get samey during the 47th crisis. But the man narrated 16 hours of material and nailed 95% of it, so I'm nitpicking.
The Verdict
This is peak "hard sci-fi made accessible" territory. Weir writes books for people who want to learn while they're entertained. Porter narrates for people who want performance, not just reading. Together? Chef's kiss.
Note: If you're new to Porter's work, he also narrates all of Bobiverse. Start there if you want lighter entry point to his style.
