Look, I’m going to be honest with you. I am a grown woman with a mortgage, three children, and a lower back that hurts when it rains. I probably shouldn't be this invested in the romantic life of a nineteen-year-old girl named Belly.
But here we are.
I listened to We'll Always Have Summer primarily in the garage—my designated "Sanctuary of Silence"—before facing the chaos of dinner prep. And by "silence," I mean listening to teenagers make absolutely terrible life decisions at 1.25x speed while I dissociated from the fact that someone (Lucas, definitely Lucas) had spilled apple juice in the backseat again.
The "TV Show Crossover" Magic
Okay, the main reason I grabbed this one? The narration. It’s actually Lola Tung and Christopher Briney—the actors from the Amazon Prime show.
This is a game-changer. Usually, when I listen to YA, I have to mentally adjust to a narrator trying to sound like a brooding teenage boy without sounding like a cartoon villain. But here? It’s just... them. Lola is Belly. She brings this specific, breathless vulnerability that makes you want to hug her and shake her at the same time. She captures that "I'm technically an adult but I have no idea what I'm doing" energy perfectly.
And Christopher Briney as Conrad? (Don't tell my husband, but that voice is dangerous.)
He has this weary, deep delivery that adds so much weight to the story. He doesn't just read the lines; he sighs them. It makes the angst feel earned rather than just dramatic. My only complaint—and it’s a big one—is that we didn't get enough of him. I needed way more Conrad POV chapters. It felt like teasing.
The "Don't Do It, Girl" Factor
Here’s the thing about this book: You will spend 90% of it yelling at your dashboard.
Belly and Jeremiah getting engaged? In college? While failing classes? I literally said "Oh, honey, no" out loud while waiting in the confusing double-lane drop-off line at Emma’s school. As a mom, watching these kids plan a wedding with zero money and zero life skills was more stressful than my actual wedding.
But that’s why it works. It’s messy. It’s frustrating. It’s exactly the kind of low-stakes drama I need because my actual drama involves potty training a toddler who thinks the toilet is a swimming pool for his Hot Wheels.
Lola’s narration really shines during the arguments. She doesn't overact; she just sounds tired and confused, which makes the inevitable breakdown of the relationship feel super real. It’s not a fairy tale; it’s a slow-motion car crash that you can't look away from.
The Emotional Payoff (Yes, I Cried)
I know some people think the ending feels rushed. (I read the forums. I lurk.) And yeah, maybe it wraps up a little too neatly compared to the chaos of the previous five hours. But honestly? I didn't care.
I was listening to the final chapters while folding a mountain of tiny t-shirts, and when the resolution finally hit—that realization of who she actually belongs with—I got misty-eyed. It’s nostalgic. It reminds you of that first, gut-wrenching love that feels like the end of the world.
Christopher Briney’s final moments in the narration are just... chef's kiss. He brings a softness that redeems the brooding. It’s the closure I needed.
Final Verdict
If you watched the show and are dying to know how it ends before the next season drops, just listen to this. The cast recording makes it feel like an audio drama season of the show. It’s perfect for drowning out the sound of siblings fighting over the iPad.
Just be prepared to have strong opinions about college weddings. (Spoiler: They’re a bad idea.)
